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Current Music:Dancing with Myself - Billy Idol
Subject:Hello all! (And a quick question on metal mouthpieces)
Time:07:35 pm
Current Mood:[mood icon] sick
Hi there! I'm y0te(or Amy, whichever you would prefer to use), and a complete beginner when it comes to playing the saxophone(I'm sticking with the alto unless I become attatched to another type), as in, I just started a month or two ago. Things have been running smoothly so far, and I use a YAS-23(Yamaha instruments are a favorite of mine), but I ran into something that made me pause and think today. Put under a cut just in case )
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Current Music:Mindi Abair "Do You Miss Me"
Subject:Intro/Should I Get A Kenny G Sax?
Time:03:54 pm
Current Mood:[mood icon] awake
First, an introduction.
Name: Theresa Annalee Cantu
Age: 16 Grade: 11
I've been playing all saxophones (except contrabass) for seven years, but I have to say that the alto is my favorite. I plan on going to Oberlin College to major in Jazz performance, and Minor in the Fine Arts. I hope to become a professional jazz musician as an adult.

Ok! Now for the big question.
I've been looking to get a new sax for quite some time now and I noticed Kenny G has a line of professional saxophones on his website. I'm looking at the black alto (As far as I'm aware, they're all E-Series II). The price is exTREMELY low, compared to the professional alto I bought about five years ago. I saw his video on youtube and they seem like decent saxophones, if not great, but I would like to hear from someone that knows for sure if they're worth the money. If you know about them, cool. If you have one, or have tried one, great! I'd really appreciate the help.
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Time:08:37 am
so i just had my senior recital, thought i'd see if any of ya'll are still around.

i played

the ibert (of course. who doesn't.)
improvisation 1 - ryo noda
mai - ryo noda
nocturne - ivan shekov (for tenor)
Billie - jacob t.v.

and then

The Nasty - Ed Jackson (quartet)
Sax Quartet - Yoko Kanno (from cowboy bebop!) (i played hte bari line--almost entirely slap tongue!)

and an original jazz chart called 77 BPM.
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Subject:MXP4 Data Shows Interactive Music Drives Engagement, Viral Distribution And Music Purchases
Time:02:33 pm


Url: http://www.mxp4.com

Paris, France - December 11, 2009 - MXP4, developer of interactive music solutions, today released data showing interactive music releases are driving fan engagement and music sales revenue. The data shows that interactive music features such as mash-ups, mixing and live updates result in highly engaged users that interact more with the artists' communities, pay more attention to marketing messages, distribute the music related content virally and drive sales.

Based on traffic data over the last six months, MXP4 saw music fans use interactive music modules for an average of 9.1 minutes while playing with 2.6 tracks. With 75% of traffic happening virally, the data also shows the viral power of interactive music.

Consumers use MXP4 powered modules on the Web and iPhones to mix, mashup and create personalized versions of their favorite songs from popular artists.

Because fans are actually playing with music, they are not simply listening but are looking at the modules. As a result, artists and brands have more opportunities to send information, such as concert dates and album information, to fans.

In addition, the interactive format means fans are more ready to take actions than when they are in a listen only mode. Data from a recent campaign tracked by MXP4 showed up to 3% of click through traffic resulting in sales.

Over 50 major artists have used MPX4 technology to create interactive singles and albums including Britney Spears, Pink, Pet Shop Boys, Basement Jaxx, Ministry of Sound, Ghostface Killah, Calvin Harris, La Roux, and Michael Jackson's label.

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Subject:Jazzmando.com Review: Bethany & Rufus - 900 Miles
Time:04:49 pm

Url: http://jazzmando.com/new/archives/001181.shtml
Sound: http://bethanyandrufus.musicdish.net


We are always enchanted by artists who can take an instrument out of predictable context and create a whole new way of looking at its function. This is also significant to mandolinists who seek to push the boundaries of its capabilities, and more traditional roles.

We found some great out-of-the box thinking and musical inspiration in this video from minimalists Bethany & Rufus, in their interpretation of the folk classic, Nine Hundred Miles. Bethany Yarrow, daughter of Peter Yarrow of folk legends Peter, Paul & Mary, is joined by ground-breaking cellist Rufus Cappodicia in this enthralling performance. We've enjoyed researching their other CD discography and YouTube entries.

We haven't figured out whether to label this "Techno Cello" or "Folk Trance." Nonetheless, it's terrific.

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Subject:Jazzmando.com Review: Bethany & Rufus - 900 Miles
Time:04:49 pm

Url: http://jazzmando.com/new/archives/001181.shtml
Sound: http://bethanyandrufus.musicdish.net


We are always enchanted by artists who can take an instrument out of predictable context and create a whole new way of looking at its function. This is also significant to mandolinists who seek to push the boundaries of its capabilities, and more traditional roles.

We found some great out-of-the box thinking and musical inspiration in this video from minimalists Bethany & Rufus, in their interpretation of the folk classic, Nine Hundred Miles. Bethany Yarrow, daughter of Peter Yarrow of folk legends Peter, Paul & Mary, is joined by ground-breaking cellist Rufus Cappodicia in this enthralling performance. We've enjoyed researching their other CD discography and YouTube entries.

We haven't figured out whether to label this "Techno Cello" or "Folk Trance." Nonetheless, it's terrific.

comments: Leave a comment Add to Memories Tell a Friend

Subject:ca340 - Fracture - Fracture
Time:02:17 pm


Artist: Fracture
Title: Fracture
#ca340
Date: 2009-12-08
Keywords: free jazz; improvisation; sound manipulation; avant-garde
(320 kbps)

Fracture are a three piece free jazz/improvisation/sound manipulation group from Melbourne, Australia who are interested primarily in the manipulation of sound. Regular concepts of progression, time and melody are set aside in favour of textural and timbrel sonic manipulation, completely in the moment. This album contains five improvised pieces of music recorded at Monash University in Melbourne, Australia, in August 2009.

Malcolm Abbott - Drums; Vincent Giles - Bass; Steve Marton - Saxophone
Contact:
http://www.myspace.com/fracturesounds

DL:
http://www.archive.org/details/ca340_f
http://www.clinicalarchives.spyw.com
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Subject:ca340 - Fracture - Fracture
Time:02:17 pm


Artist: Fracture
Title: Fracture
#ca340
Date: 2009-12-08
Keywords: free jazz; improvisation; sound manipulation; avant-garde
(320 kbps)

Fracture are a three piece free jazz/improvisation/sound manipulation group from Melbourne, Australia who are interested primarily in the manipulation of sound. Regular concepts of progression, time and melody are set aside in favour of textural and timbrel sonic manipulation, completely in the moment. This album contains five improvised pieces of music recorded at Monash University in Melbourne, Australia, in August 2009.

Malcolm Abbott - Drums; Vincent Giles - Bass; Steve Marton - Saxophone
Contact:
http://www.myspace.com/fracturesounds

DL:
http://www.archive.org/details/ca340_f
http://www.clinicalarchives.spyw.com
comments: Leave a comment Add to Memories Tell a Friend

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